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"Fuller Bloom"
"Fuller Bloom"
"Box Blanket"
"Box Blanket"
"Three Waves"
"Three Waves"
"The Rock"
"The Rock"
"The Quince"
"The Quince"
"Rialto Logs II"
"Rialto Logs II"
"Quince Indoors"
"Quince Indoors"
"Peak Bloom"
"Peak Bloom"
"Naches"
"Naches"
"Leaf"
"Leaf"
"Dandelions and Bluebells"
"Dandelions and Bluebells"
"City Maple"
"City Maple"
"Cherry Blossom"
"Cherry Blossom"
"Around Trinidad"
"Around Trinidad"
"All Leaves Down"
"All Leaves Down"
"Alders "To Green Mountain
"Alders "To Green Mountain
"After The Burn"
"After The Burn"
"Across The Valley"
"Across The Valley"
"The Clear Cut"
"The Clear Cut"
"Little Road"
"Little Road"
"Cloud Bank"
"Cloud Bank"
"Shuksan"
"Shuksan"
"Vivid Shore"
"Vivid Shore"
"Quartz Mountain Lake"
"Quartz Mountain Lake"
 
  MICHAEL FERGUSON
 

This Pacific Northwest painter is following in the traditions of artists around the world who find inspiration for their work in their immediate surroundings. Of his art, he says "As a northwest native and outdoor enthusiast it’s not surprising that I gain so much inspiration from this diverse beauty of mountains, desert and ocean."

"My painting approach is fundamentally representational. The reality of the scene is readily apparent, followed by a fracturing of shape and color...I enjoy using the oil medium for field painting during assorted road trips and hikes. Outdoor painting encourages more impressionistic and suggestive qualities - due to constantly changing conditions of light and shadow.

I often use the oils and direct observations made on these trips for larger studio work. The controlled home studio environment allows me to create a richer and more personal view, typically in acrylic on board or canvas and on a larger scale.